Monthly listeners for new artists

Updated 5 October 2026 · 2 min read

Every artist starts at zero, and the first hundred listeners are the hardest and the most important. Understanding what that period looks like prevents the two mistakes new artists make: quitting too early, or buying a number.

What to expect

Your first release will produce a small number, mostly from friends, family and whatever coverage you earn. Growth in the first year comes in steps rather than a curve, each step following a release or a placement.

A common trajectory is single digits after release one, a few hundred by release three if each one is pitched properly, and a small but real audience by the end of year one.

The first actions that work

Claim your Spotify for Artists profile before release one. Submit each track for editorial consideration while unreleased. Pitch twenty to forty curators, blogs and radio shows matched to your genre. Tell your own audience on release day.

None of that requires money. All of it requires doing it every time rather than once.

What to avoid

Do not buy listeners to look established. The number decays within four weeks and the artificial plays damage the signal the platform has about your track, which is the opposite of what a new artist needs.

Frequently asked questions

How long until I have real listeners?

Expect months, not weeks. Consistent releases with real pitching typically produce a visible trend within two or three cycles.

Is it worth promoting a first single?

Yes. The first release is where you build the contacts and habits you will use for every release after it.

Do I need a following first?

No. Curators, radio and press are independent of your social following and are reachable from day one.